Interview with Tserendavaa Autumn 1994, Chandman Sum Khovd Aimag Mongolia
Chris
Johnston travelled with me to Mongolia in 1994 and I introduced him to
Tserendavaa in his village ger. Chris interviewed Tserendavaa and Steve Teers
of DiVa Pictures filmed the whole thing. This is a translation that was made by
Chrystyna Chabros. Some of the words were not clearly audible and have been
left blank underlined. For any comments plea contact me at mailto:ormi_khoomii@yahoo.com
Khöömii
is a remarkable art. It requires strength, endurance (perseverance) and to be
“hardened” (i.e. to be in training) to the same extent as a sport does. It
teaches one to overcome difficulties and to enjoy the results of one’s work.
People who do not respect the difficulties and do not attach importance to
overcoming them cannot become Khöömii singers.
Khöömii
has been passed down from early times in Mongolia through many hundreds of
years, 300 years as part of the Mongolian Epic singing tradition.
Chandman
Sum has a history of Khöömii going back 1500 years. The tradition was passed
down by elders __________ until 1902.
There
were apparently many varieties of Khöömii at different times in the past. There
are considered to be five varieties at the present time, which were past down
by the old masters.
I
will demonstrate the five types which my teacher Makhanchuluu taught me. (you
can hear these on the Jargalant Altai CD)
At
first, learners generally cough and have sore throats.
Throat (Pharyngeal) or Khooloin Khöömii
Windpipe of Bagalzuuryn Khöömii
Chest or Tseejnii Khöömii
Nasal or Khamryn Khöömii
(Tserendavaa comments on nasal Khöömii but it is not
clear enough to translate)
When
one is learning, one should go outside into the fresh air in the midst of
nature and the majestic mountains. When Khöömii mingles with the sound of the
wind it sounds more beautiful. This will put one in the correct mood _______.
I
will show you how one practices (he shows an exercise not a style which you can
hear and see on the who’s who of Khöömii video).
Whistling
and Khöömii probably both originated as a way of expressing wonder at the
beauty of the world and expressing human feelings and joy. There are two kinds
of whistling which I will show you. Lip or Uruul isgeree (sings on example).
Then there is tooth or Shüdnii isgeree, which is very similar to Khöömii (sings
an example)
Return to Tserendaava Biog Page